‘Apple’ of Bollywood’s eye: Newton!

Newton

Let’s get something out of the way- this is not a film for everyone. But this is definitely a film that everyone should watch. Directed by Amit V Masurkar, whose debut- Sulemani Keeda was widely appreciated, Newton is a story that will make you nod in agreement with what it is trying to say at several occasions. The story of a righteous government clerk sent to a Naxalite conflicted area to monitor voting and facing all odds in the process including the security services (which are ironically stationed there to protect him) will make you think. It is a slow film that takes its own time to grow on you but when it does, it has an impact.

The film raises a lot many issues that are prevalent around us- in our own country. The lack of information/knowledge, the total disregard to areas and most importantly people who do not matter to the larger scheme of things, what is wrong with democracy and its projection in a particular light, bureaucracy and the ease with which everyone- including the government officials and security forces- has accepted the state of affairs. It is normal to call a Naxalite area- Pakistan; it is okay to blatantly lie on air to a ‘foreign’ journalist; it is acceptable for the presiding election commission officer to not even conduct voting in an area because it might be ‘challenging’ and because ‘aisa hi hota hai!’ But the reason why Newton works is because it never becomes preachy. It does not have monologues on how everything is wrong, it does not exaggerate a situation in terms of violence, action or even emotions and maintains a ‘straight face’ while presenting the situation from the main character’s perspective.  And mind you, it is not a dark film at all. It has its moments of humour, wit and intelligence.

Now we come to the star of the film- Rajkumar Rao. Oh my God! That man. He does not miss one note. He gets into the skin of the character and never ‘acts’. He has the pulse of the situation, works on the energy of the co-actors and improvises his reactions to perfection. He is one actor who is slowly establishing himself just through his immense talent- he can deliver a mass entertainer like Bareily ki Barfi and a film like Newton with equal ease. And that is commendable. Talking of his co-actors, we have Pankaj Tripathi as the anti-hero security head who is another gem that Bollywood should leverage more. He has such calm about his performance. We know that he is going to be against our hero- but we don’t dislike him- not even for a second.

The direction is layered. The storytelling is simple. You are thrown into the world of a these characters who have their individual ideologies, perspectives, motivations in some cases and hence tactics to deal with the situation. It is nothing but elating to see such films garnering much attention among all kinds of audiences despite not featuring the Khans or the Kapoors. At least a part of the Indian audiences is maturing. Finally!

Having said all of that, if the film was worthy of being the official entry to Oscars or not remains debatable. Even though being compared to an Iranian film- Secret Ballot for its story and characters- Newton remains a top contender for your watchlist. Do give it a shot!

Hits- Acting, Direction, Runtime
Not so Hit- Pacing (not a miss definitely)

Picture Credits- Wikicommons

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Sweety ka sweet drama- Bareilly ki Barfi

bareilly

This year hasn’t been the greatest for movie lovers or even the general audiences who yearn plain simple ‘fun times’ at the movies. And thank God, this one comes as a breath of fresh air for everyone who was just getting disappointed with movies one after the other. This IS essentially a small town flavoured Dum Laga ke Haisha brand of a movie which talks to everyone sitting in that theatre. It has some amazing writing, on-point acting and great texture and not to miss a runtime of just 2 hours which makes it an ideal watch. The plot is quite far fetched but still seems plausible because of the way it is treated. You never get the time to question the on goings because almost every scene has that one note that you admire. A lot of it has to be credited to the director- Ashwiny Iyer Tiwari who picks up the flavour with much ease. Female directors be awesome!

This is a story of Bitty who is rejected in marriage proposals again and again because of her personality. She is outspoken, she drinks, she smokes, she watches English films (doesn’t understand them completely though!), does not sit with both legs on one side on a bike, has endless night outs and never reveals if she is actually a virgin or not. The question that the character asks is something we all should- does any of it really matter? In an initial scene- sharing a smoke with her father, played beautifully by Pankaj Tripathi, she questions all of this and refreshingly her father does not tell her that thinking on those lines is incorrect. He almost only informs her “hum ye sab nahin maante par samaaj maanta hai, aur jo bhi ho, rehna toh isi samaaj mein hai“. While Bitty is the son to her father, she remains a daughter to her mother- played by Seema Pahwa (again a very very fine actress). Her mother is so concerned about getting her daughter married that she literally questions the marital status of every boy who enters her home.

Image result for bareilly ki barfi

Then there are the two boys. One of them is Ayushman Khurana as Chirag Dubey who has by now almost moulded himself in these characters. At so many points in the movie, you will feel that you have seen him do this so many times, wearing the same clothes so many times and that he needs to maybe act one notch down or just experiment a little with his roles. And the other one is the star performer of the film- Rajkumar Rao as Pritam Vidrohi- a nearly apt amalgamation of his two sides in the film- soft spoken Pritam and the Rangbaaz Vidrohi. He does not miss one beat in the film. Sometimes in one shot of his face, he is able to transform himself from one character into another and it is a treat to watch him. Really.

Talking of beats, the music of the film is pleasant and is aptly placed except for the last song in the film which has a montage of brooding Ayushman Khurana. Sweety tera drama is very very catchy and will make you want to dance except for you will be worried for Ayushman Khurana’s shoulder on the verge of getting dislocated. Why so much energy for no reason bro! Take it slow and shut your gaping mouth when you are not lip syncing.

All of this will pack you up with a good dose of entertainment. But there will be some hindrances too. Although, this is Kriti Sanon’s most fleshed out character and role, she will look like a misfit in the set up of the film with her nicely done hair, her designer clothes (especially that wedding lehenga) and her on-point make up. She keeps picking and dropping the leheza of Bareilly throughout the film, which is distracting. Another thing that would look unrealistic is the transformation of Rajkumar’s character. It is only his acting that saves the under cooked and too abrupt a transition.

A special mention to the voice over narration by Javed Akhtar that is effective in most parts and slightly pushed too hard in others with a compulsive need to rhyme the lines.

All in all, watch this one for sure. It is totally worth your bucks.

Hits- Acting, Direction, Dialogues, Supporting Cast
Misses- Repetition by Ayushman, Slightly inconsistent Kriti, predictable plotline

(Picture Credits- Wikicommons)

So excited about being ‘Trapped’

Have you heard of this movie Trapped releasing tomorrow? If not, let me tell you. This might be the most underplayed and un-marketed movie in the recent times but is very promising. By the looks of it (trailer), Trapped, directed by Vikramaditya Motwane, appears to be about a man who is locked in. Where? His own house. Is he kidnapped? No. Is this under some extraordinary circumstances- does not appear so. Just a very regular day where he is leaving in a hurry to pick someone up; someone who he has decorated the house with a ‘WELCOME’ sign for.

Trapped_Poater

But in an unfortunate turn of events, he is trapped in his own house with no resources to fall back on. Just imagine that scenario- an innocent setting with so much to take from you if it gets this peculiar. 

It does not seem to have any other characters physically present in the movie except for the super ignorant security guard that Raj Kumar Rao- the superbly brilliant actor- keeps calling out for.

The movie is set in a high res apartment building and takeson the isolation and survival of this man throughout. So simple but impactful. The film had its world premiere at the Mumbai Film Festival on October 26, 2016 where it was praised and received a standing ovation. After releasing on March 17, 2017, it would be made available on Netflix. Yay!

Do check out the trailer for the movie and catch it at a theatre near you tomorrow onwards. 

Image Source: Wikipedia