Now this one is in little bit of a fix. Is it a SRK film or an Imtiaz film? Because the lens that you are going to see it with will essentially change the way you feel about this movie. If you see it as a SRK film, it is no different- it is super plush movie with exotic locations, punjabi male lead, a charmer, a the sure shot lady-winner who also breaks into song and dance in a jiffy. If you see it as an Imtiaz film- it is very very different. You have now been used to maybe getting a stir in your soul by watching his cinema, you might expect a lot of layered writing, lot of soul searching and characters evolving from one phase to another at a life-unsettling pace. That is the basic conundrum of this highly anticipated movie- Jab Harry Met Sejal.
There is no story really. The ring that is lost is merely a metaphor throughout the movie which defines what each character is seeking. Sejal might be seeking a way out of her situation, might be seeking an adventure, an experience which amazes her because wo waisi aurat hai hi nahin. Harry, on the other hand, is this broken womaniser who is trying to find that one soul which fixes his own- the key to his lock, the other half of his heart, the anchor to his life. They are bound to fall in love, they are bound to show each other what they have been missing in life, they are bound to have the best chemistry that they have ever experienced. But what assures that is their journey. It is a film about moments, about subtle thoughts, maybe scenarios which shock you- when you realise that you can feel something which you might not in your ‘normal-daily-all is fine-in denial, borderline fake routine life’. The problem however is that this is too inconsistent. The problem is not that there is no cohesive story. The problem is that the screenplay does not bind the journey- the inner one- in one coherent narrative.
The first half is too jovial, impractical maybe, fun and the second one comes with a strong (mis)understanding that the audience has understood the characters’ arcs. It’s not all bad, it only becomes bad when you start expecting too much out of the movie. This is an Imtiaz film but the fact that a 50+ year old, with lots of make up on his face (and post production VFX according to my conspiracy theory) is a superstar who is hard to tame. Anushka on the other hand is more disappointing because of what she does with the character. The accent is inconsistent and irritating at times, the acting is as bewildered as in any other Anushka film and the biggest problem of all is that we are not able to connect with her. You cannot possibly go on watching the film without judging her intentions at some point. She is a self proclaimed selfish girl who will just walk away once she find the ring and that is one thing that stays with the character. That is her flaw- but the actual hidden intention behind it- her self exploration, validation of being layak and finding what is missing in her engagement- is never really exposed.
The music is just fine, a couple of songs are sheer misfits (including my jam song- Beech Beech mein) and the locations are amazing. So all in all- it can be watched once if you dont want to delve very deep into the inner workings of the characters. The writing is layered and will touch you but those moments are rare in the entire film, which is a boo-boo!
SRK is fine but he needs to lose that one expression of frowning eyebrows and that made up deep macho voice. I am happy that he is finally breaking away from that SRK stereotype of ‘oh I will lech, be dirty, be a womaniser but will never compromise a woman’s modesty’. If you love a woman so much, just kiss her. And good you are now- and less awkwardly than what you did in Jab Tak Hai Jaan.
All in all- watch it ONCE and then maybe watch the second half once more on TV!
Hits- Acting, How it is shot, Music (some of it)
Misses- Screenplay, Too plain a storyline, Incoherence